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"Moth"

by Reginald Blaine

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1.
109 BPM Eb minor, breakdown (2:30 - 3:06) Ab major E standard tuning
2.
116BPM C# major E standard tuning
3.
72 BPM A# major E standard tuning
4.
103 BPM C# major E standard tuning
5.
88 BPM Eb melodic minor E standard tuning
6.
112 BPM E minor E standard tuning
7.
"The Loser" 02:49
132 BPM G major E standard tuning
8.
9.
10.

about

An instrumental EP of layered bass guitar played over programmed drums. Originally started in 2017 and worked on sporadically over the years. It was going to be a full length album with vocals, but after this long it's better to just release them as they are. That, and I'm basically finished subjecting the world to my mediocre at best attempts at singing.

All of the titles are in quotations because they are the working titles I used when making them.

If you want to add your own vocals, guitars, synthesizers, trumpets, banging on trash cans or whatever else you want on top, then go right ahead. All I ask is that you give proper credit and don't try to sell these parts as your own.

~CRBD

credits

released October 13, 2020

Chad Reginald Blaine Dennis - everything

Recorded, programmed, edited, and mixed with Acoustica Mixcraft 8 Pro Studio.

EQUIPMENT:
Squire Jaguar bass guitar.
Ernie Ball Slightly Slinky bass strings.
Fender Rumble 40 Watt bass amplifier.
Shred Amp Simulator, Studio Devil Virtual Bass Amp (on songs 1 and 3), supplied by Acoustica.
Radial Tonebone Hot British Distortion Pedal (on songs 2, 4, and 7.
Rock Band USB microphone.
Blue Snowball Ice USB microphone.
Unknown brand USB patch cord.

SAMPLES:
Kick, cymbals, tambourine, electric piano, and additional bass tones provided by Acoustica.
Snare samples from some random free online library.
Tom samples provided by themetalkickdrum.com .
High hat samples provided by Addictive Drums 2 free trial.

Special thanks to Scott MacDonald and MacKenzie Smith.

LT-EP-026

license

tags

about

Losing Teeth Records Prince Edward Island

Vanity label of Chad Reginald Blaine Dennis. An archive for all of his solo audio projects and his various collaborations with Scott Daniel MacDonald.

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